Key points:
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Cara’s Rapid Growth: The app gained 600,000 users in a week
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Artists Leaving Instagram: The controversy around Instagram using images to train AI led many artists to seek an alternative
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Cara’s Features: The app is designed specifically for artists and offers a ‘Portfolio’ feature. Users can tag fields, mediums, project types, categories, and software used to create their work
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While Cara has grown quickly, it is still tiny compared to Instagram’s massive user base of two billion.
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Glaze Integration: Cara is working on integrating Glaze directly in the app to provide users with an easy way to protect their work from be used by any AI
more about: https://blog.cara.app/blog/cara-glaze-about
Join Pixelfed instead!
Cara is just another fucking centralized social media that’s gonna get run to the ground the moment they can monetize their user base.
Artists are mostly not going to figure out the fediverse. There really needs to be some kind of way of accessing it that is more layman friendly if we ever want it to be adopted by non-nerds
It’s really not that complicated and with shit like Threads, companies are introducing the concept to the masses while the enshittification of Instagram and the like will force people to look for alternatives.
We need to welcome people with open arms and not push them away the moment someone has a question about how federation works.
Idk I hear misskey (activitypub micro blogging software, compatible but distinct from mastodon) is really big in Japan, used by lots of artists. lots of Japanese users on bluesky as well
You say that like this shit is hard to use.
Nah. But anything more complicated than a MacBook scares most people away. Most people aren’t down with anything that isn’t a turnkey experience
It’s good. It acts as a filter.
If only there were a filter to filter out gatekeepers like you . You do know your sabotaging your favorite platforms by being like this right ?
I’m not gatekeeping anyone. Everyone’s welcome.
Well you do sound a lot like a gatekeeper for someone who isn’t gatekeeper .
Artists are perfectly able to use the fediverse, that is not what is stopping them.
They don’t come because they need to be where their fans are. That is why Cara will only be a splash: their niche is artists who place more value on the anti-AI slant than on meeting their audience where it lives. By definition that is not conducive to a lot of organic growth.
Cara is popular because of it’s anti ai stance. They have a detector to not allow ai images to be on the platform. Pixelfed allows it and also lack active users that are not artists.
This will be the headline a month later:
Cara’s monthly active users down to a few thousands. Here’s why.
I knew that C looked familiar!
Pixelfed looks like they are doing a huge push to get up to speed. It has been an immature app/platform for a long time and slow to get the features that people need from a photo sharing social media.
According to their mastodon, they are working for better AI management features, and launching an app that will make it a genuinely positive experience.
I’m no federated-nazi and I welcome projects like Cara, but at the beginning there are always lots of subscriptions
This is why twitter will never die.
Cara has no passwords: you log in via Google or Apple
uhuh, no thanks
So much bad faith, I logged in just fine with a regular e-mail.
It’s just a quote from the article, but good to know.
you can use your email
You have a problem with oauth?
A lot of people are trying to de-google.
Yet another centralised social network. That pinky-promises they’ll never go bad.
Join now! Bring your friends! No ads! Everything’s free! We’re indie!..
Moments later… enshitification ensues.
According to their terms and service, everything uploaded to their website is then owned by them. Doesn’t seem very artist friendly to me.
Ok, the lady behind Cara just WON a f-ing copywrite lawsuit against some dick that stole her artwork. I’m 100% sure the wording is so if you *think* about stealing from Cara, she will come after your ass with both guns blazing.
Regardless, their terms of service let’s Cara not only sell prints and your artwork to third parties but also let’s them sell your artwork for AI training if they wanted to.
Instagram for all it’s fault specifically says that they don’t own your artwork and only get a license to show it.
I don’t really care what she won, people tend to cave really fast if given proper financial incentive.
No, it doesn’t. It states that the copyrighted works are the property of Cara and/or the artist who created the Works, except where otherwise noted. This specifically would cover cases where someone attempts to claim that a Work they found on Cara isn’t copyrighted because a copyright notice wasn’t explicitly stated, and doesn’t make explicit claims over the ownership of any arbitrary Work. For it to work in the way you’re claiming, the “or” cannot be present as it being there implies the existence of Works on the site which Cara does not have property rights to. Who actually possesses the property rights to any given Work is left, apparently intentionally, ambiguous.
cases where someone attempts to claim that a Work they found on Cara isn’t copyrighted because a copyright notice wasn’t explicitly stated
In what country is that a thing?
None that I’m aware of, but for a copyright to be asserted in the US a human must be associated with it as a consequence of the monkey selfie case. My reading is that this would cover the edge case of an anonymous, unknown poster submitting the work, allowing Cara to act as the default rights holder unless otherwise asserted by a person or user.
Why are you twisting it to make it seem like Cara is doing a good thing? What’s your motive? What is the difference between Cara owning it by default and the uploader owning it by default? Why can’t it just be the owners property?
Because “anonymous” isn’t necessarily a person who can answer for copyright. They literally gave you a use case where it could help in the content you’re arguing against…
Who. The fuck. Cares
