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Cake day: June 16th, 2023

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  • I have found synching to be very useful for making copies of files across devices. I have it setup to mirror photos from my phone, photos from my wife’s phone, and various other things (to-do lists for todo.txt, notes and shopping lists for obsidian… stuff like that) back to my desktop and my NAS. You can set it to do one-way sync (which is more like a backup) or two way sync (where changes anywhere are propagated to everywhere else).

    As others have said, it’s not really a true backup solution, but handy to have immediately accessible copies of what’s on your phone in case of phone loss or damage.

    For photo viewing and sharing, I am more or less pointing the photo sharing app on my NAS to the photos I sync from phone. They all get dropped into an “inbox” when first synced and then can be organized from there.

    You may also want an actual backup solution. There are quite a few and that’s a different topic. The reason I bring it up, though, is that simply mirroring what’s currently on device is not considered a real backup by most people, and for good reason.






  • eramseth@lemmy.worldtoSelfhosted@lemmy.worldAppleTV complete replacement opinions
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    6 months ago

    Not sure if it’s a factor for you but roku tries to phone home a lot more than anything else on my network (or perhaps my firewall just catches it more than other devices and apps). Otherwise roku is pretty good.

    Nvidia shield tv is better though. It’s the best set top box. Made even better by replacing the default launcher/ home screen (android TV default launcher now has 2/3 or more of the screen taken up by ads or “recommended content” which is just ads).





  • I think this article misses the mark pretty bad. Was it just an excuse to quote The Bard?

    Anyway, I commented this elsewhere but will re-post here:

    My take after a single watch is

    spoiler

    I think it’s possible the entire construct of what was happening in black and white was not really happening at all, but just an invention of Jason Schwartzmann’s character to help him deal with the grief of losing his wife.

    Conversely, I think everything that happened in color was really happening.

    Interestingly this is a wild inversion of what’s presented on screen (where we’re supposed to believe that what’s happening in color is all a production being put on by actors and is NOT real, while the black and white stuff is what’s real.

    I’ve only seen it once, but I suspect there are really subtle hints to this peppered throughout.

    I believe the climax of the movie is when Jason Schwartzmann’s character “walks through the set” and ends up encountering his wife / “the actress who was supposed to play his wife”. That it began snowing afterwards is a strong visual Cue.

    This is literally just my take. I haven’t bothered reading any analysis. I probably won’t until I see it a few more times.



  • I put some thoughts to words in replying to another post about Asteroid City. Love to hear if anyone buys this analysis. I’m no critic or film theory expert, but I have seen most of Anderson’s other films.

    My take after a single watch is

    spoiler

    I think it’s possible the entire construct of what was happening in black and white was not really happening at all, but just an invention of Jason Schwartzmann’s character to help him deal with the grief of losing his wife.

    Conversely, I think everything that happened in color was really happening.

    Interestingly this is a wild inversion of what’s presented on screen (where we’re supposed to believe that what’s happening in color is all a production being put on by actors and is NOT real, while the black and white stuff is what’s real.

    I’ve only seen it once, but I suspect there are really subtle hints to this peppered throughout.

    I believe the climax of the movie is when Jason Schwartzmann’s character “walks through the set” and ends up encountering his wife / “the actress who was supposed to play his wife”. That it began snowing afterwards is a strong visual Cue.

    This is literally just my take. I haven’t bothered reading any analysis. I probably won’t until I see it a few more times.


  • My take after a single watch is

    spoiler

    I think it’s possible the entire construct of what was happening in black and white was not really happening at all, but just an invention of Jason Schwartzmann’s character to help him deal with the grief of losing his wife.

    Conversely, I think everything that happened in color was really happening.

    Interestingly this is a wild inversion of what’s presented on screen (where we’re supposed to believe that what’s happening in color is all a production being put on by actors and is NOT real, while the black and white stuff is what’s real.

    I’ve only seen it once, but I suspect there are really subtle hints to this peppered throughout.

    I believe the climax of the movie is when Jason Schwartzmann’s character “walks through the set” and ends up encountering his wife / “the actress who was supposed to play his wife”. That it began snowing afterwards is a strong visual Cue.

    This is literally just my take. I haven’t bothered reading any analysis. I probably won’t until I see it a few more times.

    Hope that helps


  • I’ll check those out.

    I guess the...

    …vibe of the b&w “behind the scenes” parts where it was an acting class …

    …reminded me of some spoken word thing I saw years ago on late night public access tv in a small western Pennsylvania town.

    I could have sworn it was Tom Waits doing a one man show, but I had also had a few adult beverages when I saw it. A quick search says maybe it was “Frank’s Wild Years”. Looks like that was from the late 80s, but who knows it could have been hearkening back to 50s and 60s style stage productions.

    EDIT: I’m now thinking it was just a recorded performance of the Tom Waits album Foreign Affairs